The Faith Flanagan Fellowship Program provides ArtTable Chapter mentorship and a one-year provisional membership in the DC Chapter to a few select individuals with at least 2 years of experience in the visual arts field. The D.C. Chapter has selected 4 women for a one-year mentorship beginning Fall 2018 Applications will open in April, 2019.
ArtTable DC Fellows are selected by the executive committee in June through a selective application process. Please let your early-career colleagues know about this great opportunity. Applications for 2019–2020 will be open beginning in spring 2019. Each Fellow is paired with a mentor, as listed below.
Virginia Treanor, Associate Curator at National Museum of Women in the Arts is Mentor-at-Large
Elizabeth Denholm, Art Assistant / Collection Manager at Robert Lerhman Collection ///Madeline Locke, former Contemporary Specialist at Sotheby’s in New York
Interested in galleries, nonprofit mixed arts and museums, Elizabeth Denholm has served as the Collection Manager for the private collection of Robert Lehrman since 2015. She received her Bachelor of Arts in Art History from The Catholic University of America, where she graduated Magna Cum Laude and as a member of Phi Beta Kappa, completing her degree in 3.5 years. Elizabeth has also served as a grant panelist for the DC Commission for the Arts & Humanities and as a Conservation Technician at the Smithsonian National Air & Space Museum’s Udvar-Hazy Center. In fall 2018, Elizabeth will pursue a Master of Arts in Art History at George Mason University as a recipient of the university's Finley Fellowship.
Ina Descartes, Exhibitions Coordinator, Collections Manager and Communications Assistant for the Woman's National Democratic Club inside the historic Whittemore House Museum///Blair Murphy, Curator of Exhibitions at Arlington Arts Center
Ina Descartes graduated with a MA in Arts Management from George Mason University in 2016, and currently works as the Exhibitions Coordinator, Collections Manager and Communications Assistant for the Woman's National Democratic Club inside the historic Whittemore House Museum.
She has previously interned at several cultural and arts institutions like the Exhibitions Department at the National Portrait Gallery, and the Meridian Center for Cultural Diplomacy, and also has experience in installing and organizing exhibitions in small art galleries. With a background in Art History and Media Studies, Ina has moved from her home country Germany to Washington, DC in 2014.
Allison Frazier, Gallery and Studio Manager, Art Enables /// Anabeth Guthrie, Chief of Communications at National Gallery of Art
Allie Frazier is a local ceramicist, art curator, and exhibition designer currently serving the DC arts scene as the Gallery and Studio Manager at Art Enables, a studio and gallery for adult artists with disabilities. Previously, she served as the Gallery Assistant and Events and Program Coordinator at Hillyer Art Space for three years. Before moving to D.C. from Stafford, VA, Allie attended Virginia Tech, where she graduated with a BFA in Studio Art (Ceramics/Painting concentration) and a minor in English Language and Literature. She previously worked at the Perspective Gallery in Blacksburg, VA and volunteered as an art mentor to children after school. Along with producing her own pottery at District Clay Center and sharing her love of visual movement through dance, Allie serves on the steering committee for Emerging Art Leaders DC, co-founded #IRL_DC, and has served as a panelist for the DCCAH’s Artist Fellowship Program.
Gabrielle Tillenburg, Visual Arts Coordinator at Strathmore Hall Foundation /// Jennifer Riddell, Interpretive Project Manager and Writer at National Gallery of Art
Gabrielle Tillenburg holds a B.F.A. in Film from the University of Central Florida. Producing film screenings and coordinating a multimedia exhibition led her to pursue a career in arts administration. A DMV native, she returned to the District and has worked as the Visual Arts Coordinator at the Mansion at Strathmore in Bethesda, MD for the past three years. In addition to developing exhibition related events and education opportunities, she programs the Invitational Gallery, selecting emerging to mid-career artists and working closely with them to develop solo and duo exhibitions. Outside of Strathmore, she has worked with Adah Rose Gallery at Pulse Miami, independently curated, and participated as a reviewer for Willow Street Gallery’s public Portfolio Review program. She also serves on the board of Touchstone Foundation for the Arts and is a committee member of ArtWatch.
Inspired by artists whose work share perspectives sometimes absent of dominant cultural narratives, she seeks the powerful community engagement that occurs when these works are shared widely. She is interested in arts activism, residency programs, and film and video art curation. Gabrielle is looking forward to connecting with ArtTable DC members, mentors, and other fellows; learning from strong women leaders in the arts; and positioning herself to in turn, lift up other young professionals in her future career."
Mollie Berger, Curatorial Assistant, Prints and Drawings, National Gallery of Arthas worked at the National Gallery since 2014, following her graduation from George Washington University with a Master of Arts in Art History. An adapted version of her graduate qualifying paper on Kenneth Noland’s circle paintings and the psychoanalytic therapy of Dr. Wilhelm Reich was recently published for Refiguring American Art, a research project organized by Tate, London. Mollie is currently working on a small exhibition of prints by Edvard Munch, opening September 3 at the National Gallery.
Rachel Burley joined CulturalDC in July 2016 and coordinates the exhibition program at Flashpoint Gallery. She also collaborates with the communications team and provides general administrative support.
Previously, Rachel worked as a Marketing and Communications intern at the Phillips Collection. Rachel is a native Californian. She graduated summa cum laude from California State University, Long Beach with a Bachelor of Arts in History and a minor in Political Science. She moved to DC to pursue a Master of Arts in Art History at George Washington University, where she graduated in May 2016. While at GWU, she served as president of George Washington University’s Gallery 102, and curated So Much Depends Upon… an exhibition that explored the intersection between language and the visual arts.
Colleen earned an MSc from the University of Edinburgh in History of Art. During her time there and after her return to the U.S., she also managed art projects for the ARTISTRooms Foundation. Before becoming the U.S. Provenance Research Exchange Program Project Coordinator, Colleen interned with the Smithsonian Provenance Research Initiative, where she helped coordinate programs for the 2016 College Art Association Annual Conference and the 2016 American Alliance of Museums Annual Meeting.